蓦山溪。宋代。陈瓘。扁舟东去,极目沧波渺。千古送残红,到如今、东流未了。午潮方去,江月照还生,千帆起,玉绳低,枕上莺声晓。锦囊佳句,韵压池塘草。声遏去年云,恼离怀、余音缭绕。倚楼看镜,此意与谁论,一重水,一重山,目断令人老。
《蓦山溪》是一首宋代的诗词,作者是陈瓘。以下是对这首诗词的中文译文、诗意和赏析:
《蓦山溪》
扁舟东去,极目沧波渺。
千古送残红,到如今、东流未了。
午潮方去,江月照还生,千帆起,玉绳低,枕上莺声晓。
锦囊佳句,韵压池塘草。
声遏去年云,恼离怀、余音缭绕。
倚楼看镜,此意与谁论,一重水,一重山,目断令人老。
中文译文:
突然,小船向东驶去,眼望着一片苍茫的波涛。
千年来送走了残留的红叶,到了现在,东流仍未停止。
午潮悄然退去,江面上的月光依然明亮,千帆起航,玉绳垂低,枕边的黎明鸟鸣。
精美的诗句藏在锦囊中,韵律超过了池塘边的花草。
声音阻止不了去年的云彩,扰乱了离别的思绪,回荡着余音。
倚在楼上看着镜子,这种感慨和谁来讨论,一重水,一重山,让人目睹衰老。
诗意和赏析:
这首诗以描写大自然景色为主线,展示了时间流逝和人事变迁的主题。诗人以舟行江上的景象为背景,表达了他对时间的感慨和对人生的思考。
诗的开篇,诗人乘坐小船向东行驶,眺望着无垠的波涛,形容江河的宽广和浩渺。接着,他提到千年来送走了残留的红叶,暗示着岁月的推移和变迁的不可逆转。然而,东流的江水仍在继续,暗示着时间的无尽。
午潮悄然退去,江面上的月光照亮了水面,千帆起航,玉绳低垂,枕边的黎明鸟鸣,描绘了清晨的宁静和生机勃勃的景象。这些景物反映了生活的起伏和永恒的循环。
诗的后半部分,诗人提到了锦囊中珍藏的佳句,这些句子的韵律超过了池塘边的花草,显示了他对诗歌艺术的推崇。同时,他也表达了对过去时光的留恋和对离别的痛感,余音缭绕,回荡在心头。
最后两句诗以倚楼看镜的方式,表达了诗人对自身境遇和人生意义的思考。一重水,一重山,形容了镜中映照出的景象,而这景象让人感受到时光流转和衰老的无情。这句诗通过对镜中自己的映照,引发了对时间流逝和生命的深刻思考。
整首诗以自然景色为背景,通过描绘江河、蓦山溪 is a poem from the Song dynasty, written by Chen Guan. Here is the Chinese translation of the poem, followed by an analysis of its meaning and appreciation:
《蓦山溪》
扁舟东去,极目沧波渺。
千古送残红,到如今、东流未了。
午潮方去,江月照还生,千帆起,玉绳低,枕上莺声晓。
锦囊佳句,韵压池塘草。
声遏去年云,恼离怀、余音缭绕。
倚楼看镜,此意与谁论,一重水,一重山,目断令人老。
Translation:
The little boat departs to the east, gazing into the vast and distant waves.
Through the ages, it has sent off the remnants of red, until now, the eastward flow is endless.
The midday tide recedes, the river moon still shines, thousands of sails rise, the jade rope hangs low, and the dawn birds' song reaches my pillow.
Beautiful verses hidden in the silk pouch, their rhythm surpasses the grass by the pond.
Sounds cannot hold back the clouds of the past year, disturbing the thoughts of parting, their echoes lingering.
Leaning against the tower, looking into the mirror, who can discuss this sentiment? One layer of water, one layer of mountains, the sight makes one feel old.
Meaning and Appreciation:
The poem "蓦山溪" depicts the passage of time and the changes in human life through the portrayal of natural scenery. The poet uses the imagery of a boat journey on a river as the backdrop to express his contemplation on time and life.
The poem begins with the poet boarding a small boat and sailing eastward, gazing into the vast waves that symbolize the breadth and vastness of the river. He mentions the remnants of red leaves being sent off over the millennia, implying the passage of time and irreversible change. Yet, the eastward flow of the river continues, suggesting the endlessness of time.
The receding midday tide and the moonlight on the river surface illuminate the scene, with thousands of sails rising and the jade rope hanging low, accompanied by the birds' dawn song near his pillow. These images depict the tranquility and vitality of the early morning, reflecting the ups and downs of life and the eternal cycle.
In the latter part of the poem, the poet mentions the beautiful verses hidden in a silk pouch, surpassing the grass by the pond in their rhythm. This indicates his admiration for the art of poetry. At the same time, he expresses nostalgia for past times and the pain of parting, with echoes lingering and disturbing his thoughts.
In the final two lines, the poet contemplates his own situation and the meaning of life by leaning against the tower and looking into the mirror. The imagery of one layer of water and one layer of mountains reflects the reflection in the mirror, which evokes the passage of time and the mercilessness of aging. Through the reflection in the mirror, the poet triggers profound contemplation on the passage of time and life.
The poem, set against the backdrop of natural scenery, portrays the river, tides, moon, and birdsong to evoke a sense of transience and the eternal cycle of life. It expresses the poet's reflection on time, the beauty of poetry, and the inevitable aging process.
咏斋偶书呈子通无隐。唐代。朱长文。夙志在萧閒,获此遁幽迹。乔林无冬春,苍霭异晨夕。旁窥疑好峰,俯瞰惊峭壁。浩然溪山兴,尽在陶潜宅。杖藜行水边,萍际湛空碧。良鱼不轻游,弱羽犹自惜。吟髭不禁霜,晓鉴见早白。古人已深叹,信是林园客。遣累假禅锋,陶情任诗格。寄声招友人,来看亭前柏。
和河南罗主簿送校书兄归江南。唐代。权德舆。兄弟泣殊方,天涯指故乡。断云无定处,归雁不成行。草莽人烟少,风波水驿长。上虞亲渤澥,东楚隔潇湘。古戍阴传火,寒芜晓带霜。海门潮滟滟,沙岸荻苍苍。京辇辞芸阁,衡方忆草堂。知君始宁隐,还缉旧荷裳。
送王相公赴幽州。唐代。皇甫曾。台衮兼戎律,勤忧秉化元。凤池东掖宠,龙节北方尊。长路山河转,前驱鼓角喧。人安布时令,地远答君恩。暮日平沙迥,秋风大旆翻。渔阳在天末,恋别信陵门。
和鲁漕喜雨韵。宋代。吴芾。下车逢好雨,清兴一何长。暑退郊原爽,风生院落京。登楼延夜月,绕树探秋香。况得陪诗社,从容乐岁穰。
读侍御去国集次韵卷首赴召。宋代。喻良能。先生一饭不忘主,诗句端如杜少陵。敬读新编二百首,凛然风采照隆兴。
阊门歌送郭令。明代。祝允明。鸡鸣角乌乌,阊门将启涂。船头卒徒拥,屋底翁媪呼。呼将儿孙起,来送郭大夫。大夫强汝柔,大夫明汝愚。大夫饱汝饥,大夫康汝痡。教汝兴礼节,教汝诵诗书。大夫舍汝去,汝能不思乎。君子悦其文,细人念其劬。说向君子道,能歌歌大夫。阊门开,百姓怀。云帆指金台,天王御㝢万国来。万国来,仰帝力,王道荡荡,平康正直。天子岂不思,思哉建皇极。皇极建,若三五。大夫忠良伍,志岂在朝暮。清风穆如,去者慰,存者怀,穆如清风,怀其存,慰其去。穆如吉甫,以永今古。
栽松。唐代。刘得仁。翠色凛空庭,披衣独绕行。取从山顶嶮,栽得道心生。未弱幽泉韵,焉论别木声。霜天残月在,转影入池清。
柳澜滴沥溜春渠,牡丹已老木香初。黄蕉白纨蔽香庐,唾云沫月课空虚。
剡溪十丈雪不如,长眉辟支手自舒。波折瘦硬结浅疏,细如春蚓浓如猪。
偕崔晦之过二圣禅林时诸衲子出纸索书戏得猪字。明代。袁宏道。柳澜滴沥溜春渠,牡丹已老木香初。黄蕉白纨蔽香庐,唾云沫月课空虚。剡溪十丈雪不如,长眉辟支手自舒。波折瘦硬结浅疏,细如春蚓浓如猪。书成诘曲不能读,牛鬼蛇神者谁欤,天竺胡儿解我书。
车中闻人说豀涧如水晶色口占一绝。宋代。张镃。涧水流如活水晶,道傍一语唤人醒。山林未必渠能说,说著山林便可听。
病起。南北朝。王谌。连日新晴惬病怀,跧藏一室绝纤埃。出来未得寒犹在,穷不奈何春又回。酒盏惭疎朋旧少,纸帘不为俗人开。日长自有閒工课,汲水铜瓶浸古梅。
同侯子晋赋雁。金朝。元德明。沈沈江浦云,浩浩朔漠雪。微生几寒暑,翅老飞欲折。楼中见新过,夕照送明灭。欹枕数声来,疏窗耿残月。悲鸣或天性,南北随所惬。谁念孤旅人,年年为愁绝。
三用出郊韵三首。宋代。吴潜。从来此地出高官,绮屋连云画里看。十里湖光多样好,百年人事几回残。菰蒲带露枝犹溼,{左禾右罢}稏逢晴把便乾。乐岁何妨歌乐职,簿书缠缚敢辞难。
春雨二首 其二。明代。夏良胜。雨凉侵短榻,春睡起偏迟。鸠拙寻遗构,鹰扬耐蚤饥。干戈经路滑,箫管动乡悲。愿和征夫泪,吹来鬓上丝。
西新桥。宋代。苏轼。昔桥本千柱,挂湖如断霓。浮梁陷积淖,破板随奔溪。笑看远岸没,坐觉孤城低。聊因三农隙,稍进百步堤。炎州无坚植,潦水轻推挤。千年谁在者,铁柱罗浮西。独有石盐木,白蚁不敢跻。似开铜驼峰,如凿铁马蹄。岌岌类鞭石,山川非会稽。嗟我久阁笔,不书纸尾鹥。萧然无尺箠,欲构飞空梯。百夫下一?戈,椓此百尺泥。(桥柱石磉下,皆有坚木,椓入泥中丈馀,谓之顶桩。)探囊赖故侯,宝钱出金闺。(子由之妇史,顷入内,得赐黄金钱数千助施。)父老喜云集,箪壶无空携。三日饮不散,杀尽西村鸡。似闻百岁前,海近湖有犀。(丰湖旧名鳄湖,盖尝有鲛鳄之类。)那知陵谷变,枯渎生茭藜。后来勿忘今,冬涉水过脐。